The Denial of Death - Wikipedia, the free encyclopedia
The Denial of Death |
 |
Author(s) | Ernest Becker |
Country | United States |
Language | English |
Subject(s) | philosophy/psychology |
Genre(s) | non-fiction |
Pages | 336 |
ISBN | 0684832402 (ISBN13: 9780684832401) |
The Denial of Death is a 1973 work of
psychology and
philosophy by
Ernest Becker.
[1] It was awarded the
Pulitzer Prize for General Non-Fiction in 1974, two months after the author's death.
[2] The book builds on the works of
Søren Kierkegaard,
Sigmund Freud, and
Otto Rank.
Themes
The basic premise of
The Denial of Death is that human civilization is ultimately an elaborate, symbolic defense mechanism against the knowledge of our mortality, which in turn acts as the emotional and intellectual response to our basic
survival mechanism. Becker argues that a basic duality in human life exists between the physical world of objects and a symbolic world of human meaning. Since man has a dualistic nature consisting of a physical self and a symbolic self, man is able to transcend the dilemma of mortality through
heroism, a concept involving his symbolic half. By embarking on what Becker refers to "immortality project" as a
causa sui, in which he creates or becomes part of something which he feels will last forever. Man feels he has "become" heroic, and henceforth, part of something eternal; something that will never die, compared to his physical body that will die one day. This gives man the feeling that his life has
meaning, purpose and
significance in the grand scheme of things.
Becker argues that
mental illness is most insightfully extrapolated as a bogging down in one's hero system(s). When someone is experiencing
depression, their
causa sui (or heroism project) is failing, and they are being consistently reminded of their mortality and insignificance as a result.
Schizophrenia is a step further than depression in which one's causa sui is falling apart, making it impossible to engender sufficient defense mechanisms against their mortality; and the schizophrenic has to create their own reality or "world" in which they are better heroes. Becker argues that the conflict between
immortality projects which contradict each other (particularly in religion) is the wellspring for the destruction and misery in our world caused by
wars,
bigotry,
genocide,
racism,
nationalism, etc, since an immortality project which contradicts others indirectly suggests that the others are wrong.
Another theme in the book is that humanity's traditional "hero-systems" i.e.
religion, are no longer convincing in the
age of reason; science is attempting to solve the problem of man, something that Becker feels it can never do. The book states that we need new convincing "illusions" that enable us to feel heroic in the grand scheme of things, i.e. immortal. Becker does not provide any definitive answer, mainly because he believes that there is no perfect solution. Instead, he hopes that gradual realization of man's innate motivations, namely death, can help to bring about a better world.
Impact
Becker's work has had a wide cultural impact beyond the fields of psychology and philosophy. The book made an appearance in
Woody Allen's film
Annie Hall, when the death-obsessed character Alvy Singer buys it for his girlfriend Annie. It was referred to by
Spalding Gray in his work
It's a Slippery Slope.
[3] Bill Clinton quoted it in his
autobiography; he also included it as one of 21 titles in his list of favourite books.
[4]
See also
References
External links